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	<title>Shredaholic.com&#187; Mikhal Caldwell</title>
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	<description>Shred Guitar Lessons</description>
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		<title>Polytonal Pivoting</title>
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		<pubDate>Fri, 17 Feb 2006 17:48:23 +0000</pubDate>
		<dc:creator>Mikhal Caldwell</dc:creator>
				<category><![CDATA[Lessons]]></category>
		<category><![CDATA[Electric Warfare]]></category>
		<category><![CDATA[modes]]></category>

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		<description><![CDATA[Series 2 Installment 2! This Installment: &#8220;Polytonal Pivoting&#8221; Hello once again, this time let&#8217;s take a close look at the basic concept of Polytonal pivoting. First, as always, lets examine the theory that we&#8217;ll need to apply to make this work. Right away we need to understand that every note has 3 basic identities: 1. [...]]]></description>
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		<title>Improvising, Finding the Way</title>
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		<comments>http://www.shredaholic.com/mikhal18.html#comments</comments>
		<pubDate>Tue, 17 Jan 2006 17:46:07 +0000</pubDate>
		<dc:creator>Mikhal Caldwell</dc:creator>
				<category><![CDATA[Lessons]]></category>
		<category><![CDATA[Electric Warfare]]></category>
		<category><![CDATA[improvising]]></category>

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		<description><![CDATA[This lesson kicks off a brand new series on Shredaholic of Electric Warfare! Series 2 Instalment 1! This Installment: &#8220;Improvising &#8211; Finding The Way&#8221; I&#8217;ve been considering some way to address a question that I seem to get quite a bit, and thought perhaps someone here may be interested in somethin&#8217; to kinda jump start [...]]]></description>
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		<title>Melodic Minor Rhythm</title>
		<link>http://www.shredaholic.com/mikhalrhythm1.html?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=mikhalrhythm1</link>
		<comments>http://www.shredaholic.com/mikhalrhythm1.html#comments</comments>
		<pubDate>Sun, 18 Dec 2005 01:33:07 +0000</pubDate>
		<dc:creator>Mikhal Caldwell</dc:creator>
				<category><![CDATA[Lessons]]></category>
		<category><![CDATA[melodic minor]]></category>
		<category><![CDATA[rhythm]]></category>
		<category><![CDATA[rhythm guitar]]></category>

		<guid isPermaLink="false">http://www.shredaholic.com/wordpress/?p=992</guid>
		<description><![CDATA[Playing over or through ( there is a difference) Altered Dominant or Dominant chords can sometimes become reflex action to trigger 135b7/? thinking. Just my opinion, but that explanation is &#8220;cookbook&#8221; theory; that is, it tells you what to do, but doesn&#8217;t really explain why you might get good results doing it. So here&#8217;s a [...]]]></description>
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		<title>Tonal Conditions &#8211; Part 3</title>
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		<pubDate>Wed, 17 Aug 2005 17:42:19 +0000</pubDate>
		<dc:creator>Mikhal Caldwell</dc:creator>
				<category><![CDATA[Lessons]]></category>
		<category><![CDATA[Electric Warfare]]></category>
		<category><![CDATA[suspended]]></category>
		<category><![CDATA[tonal conditions]]></category>

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		<description><![CDATA[4th Installment! This Installment: &#8220;Tonal Conditions part 3&#8243; Hello my friends. First I would like to start the year off by thanking all of you who have supported instrumental (especially guitar) music, it is an almost impossible task to stay focused on the craft of music without feeling the pressure of at some point wondering [...]]]></description>
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		<title>Power of Soul</title>
		<link>http://www.shredaholic.com/mikhal3.html?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=mikhal3</link>
		<comments>http://www.shredaholic.com/mikhal3.html#comments</comments>
		<pubDate>Tue, 17 May 2005 17:39:39 +0000</pubDate>
		<dc:creator>Mikhal Caldwell</dc:creator>
				<category><![CDATA[Lessons]]></category>
		<category><![CDATA[Electric Warfare]]></category>
		<category><![CDATA[Frank Marino]]></category>
		<category><![CDATA[soul]]></category>

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		<description><![CDATA[3rd Installment! This Installment: &#8220;Power of Soul&#8221; Here&#8217;s #3 This is a special Lesson title &#8220;Power of Soul!&#8221; Hey I know that we&#8217;re moving along in the cool side of Tonal Conditions and that&#8217;s not going to be forgotten, but I gotta share something that was brought to the front of my mind by the [...]]]></description>
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		<title>Tonal Conditions</title>
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		<pubDate>Sun, 17 Apr 2005 17:36:13 +0000</pubDate>
		<dc:creator>Mikhal Caldwell</dc:creator>
				<category><![CDATA[Lessons]]></category>
		<category><![CDATA[Augmented]]></category>
		<category><![CDATA[Electric Warfare]]></category>
		<category><![CDATA[tonal conditions]]></category>

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		<description><![CDATA[2nd Installment! This Installment: &#8220;Tonal Conditions Part 2&#8243; Well here we go TONAL CONDITIONS PART 2. Hello, lets pick up where we left off. So far we&#8217;ve covered 3 tonalities: Major ,Minor, Dominant. Lets go to the next of the basic tonalities. We will still be working in the key C, and we will for [...]]]></description>
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		<title>Tonalities and Gaining Multi-Purpose Use Out of Them</title>
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		<comments>http://www.shredaholic.com/mikhal1.html#comments</comments>
		<pubDate>Thu, 17 Feb 2005 17:33:19 +0000</pubDate>
		<dc:creator>Mikhal Caldwell</dc:creator>
				<category><![CDATA[Lessons]]></category>
		<category><![CDATA[Electric Warfare]]></category>
		<category><![CDATA[tonalities]]></category>

		<guid isPermaLink="false">http://www.shredaholic.com/wordpress/?p=808</guid>
		<description><![CDATA[1st Installment! This Installment: &#8220;Tonalities and Gaining Multi-Purpose Use Out of Them&#8221; First let&#8217;s start at the beginning, Like the most obvious question would be &#8220;what is a tonality?&#8221;  O.K. Let start by understanding that a tonality aka &#8220;tonal condition&#8221; is a group of intervals (notes) that can be used to identify a recognizable grouping [...]]]></description>
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