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How To Improve Your Guitar Technique – Part 1

Tom HessDo you want to improve your guitar technique, play guitar cleaner, eliminate sloppy playing and unwanted string noise? Sloppy guitar technique is a very common problem. Many guitarists have been asking for solutions. This article will help you to improve your guitar technique.

There are 5 main challenges that electric guitar players must overcome in order to learn and master guitar technique. These 5 guitar technique challenges are divided into 3 groups:

1. Awareness
2. Sounds you ‘want’ to hear (the notes you are attempting to play cleanly)
3. Sounds you do ‘not’ want to hear (the sloppy sounds you sometimes hear such as unwanted string noise)

Today we will take a look at the first two groups. In Part 2 of this article series we’ll focus on the last group of guitar technique challenges.

Focused Awareness –

Many guitar players are not fully aware of every imperfection in their guitar technique. Some of these players do sense that ‘something’ may be wrong, but are not sure about exactly what their specific guitar technique problems are. Obviously, you cannot effectively correct a technical problem until and unless you know exactly what it is.

There are 2 main ways you can approach this:

1. Record yourself playing a something you want to improve on. Listen back (carefully) at 25%-33% speed so that you more easily identify any unclear notes, excess string noise, scratchy noises between the notes, inconsistency in your pick attack, etc.). You may or may not be able to hear everything on your own (many people simply can’t yet) and you may or may not be able to ‘correctly’ identify the cause of each imperfection present in your guitar playing. If you can that’s great, but if you’re not sure then…

2. Work with a guitar teacher to evaluate your playing and use that feedback to begin the process of making any necessary changes to your technique. Not only will a good teacher help you to play clean by telling you ‘what to do’, but also because he will hear problems that you may not really be hearing.

IF you have an excellent ear, you should be able to identify the fine details of your problem, if not, work with your guitar teacher.

Articulation – The First Half of Two Hand Synchronization

The second step is to focus on your articulation. Articulation is the first half of two hand synchronization. To play cleaner you need your hands to fret and pick each note at precisely the same time (simultaneously).

There are 3 critical things you need to do to improve your articulation:

1. Use a clean guitar tone when practicing (no distortion and NO effects!). Distortion and effects will mask any imperfections in your articulation, so do not practice with them when focusing on “Articulation” (the rules will change when we talk about “The Release” in the next section).

2. Play loud enough so that you can truly hear what is happening as you are playing

3. When you are practicing something slowly MAKE SURE that you do NOT change ANYTHING about how you approach and articulate each note. Fact is, most guitar players actually play very differently when playing slow compared to when playing fast. If you change anything in the way you are articulating the notes (such as playing with a lighter touch, using a weaker or stronger pick attack, changing your hand position, pick angle etc.) you will NOT fully improve your technique because the sound you make when playing will be different and therefore harder to detect and identify any problems with your articulation.

The Release – The Second Half of Two Hand Synchronization

The third step toward cleaner playing is ‘the release’. For most guitar players ‘the release’ is the hardest problem to detect and correct. That’s generally because once players articulate a note cleanly, they ignore what immediately comes after (small sloppy noise in between the notes or 2 notes slightly ‘bleeding’ together.

And practicing your guitar with a ‘clean’ tone (no distortion) – as described above when focusing on articulation – almost always masks problems in the release phase of playing a note. This is why many people think their guitar playing sounds pretty clean when practicing without distortion but sense something is wrong when later playing with distortion… but they are not sure what the problem is… or worse, they actually do not hear the problem at all (but other people do). This is why focused awareness is so critical.

I use multiple steps to help my guitar students fully solve this problem (not all of which can be fully demonstrated or expressed in an article), but here are the absolutely necessary steps toward correcting problems with ‘the release’.

1. Practice your guitar WITH distortion (but NO EFFECTS!) now. (Notice, this is the exact opposite advice I gave you to identify and correct ‘articulation’ problems above).

2. Again you need to play your guitar loud enough to hear precisely what is coming out of your amplifier (other noises in the room can mask the subtle things you need to be listening for).

3. Practice slow (but as stated above, do NOT change ANYTHING in the way you articulate OR RELEASE a note compared to when you are playing fast!).

4. Listen for any subtle noise in between notes (you will probably notice a ‘scratchy sound’ just before you play the next note). If you have a hard time hearing anything then record yourself and listen back to the recording at 1/4 or 1/3 speed (I guarantee you will hear this short scratchy sound now!)

5. Now that you know what to listen for, you will probably notice it all the time whenever you listen very carefully… and THEN you are ready to being to correct the problem…

Fact is there can be several reasons why your guitar playing may not be clean during the release of a note, but the most common cause is this: When you release a note your brain is probably telling your finger to ‘lift off’ (make an upward motion away from the string you just played). This can cause all sorts of nasty technique problems (fatigue, slower guitar playing speeds, and sloppy guitar playing… among other things).

The solution is to stop your brain from sending your fingers instructions to ‘lift off; of each note and instead to simply ‘relax’. When your finger relaxes it will naturally, immediately and effortlessly ‘release’ the note you just played. There are 2 main benefits to this:

1. Because the motion is effortless, you can play faster and for a much longer time (and most importantly) with greater ease.

2. Because your brain does not give the finger the instruction to make a ‘lift off’ motion this actually prevents your finger from moving (or preparing to move) prematurely (which is a major cause of the sloppy ‘scratchy sound’ that may be present in your guitar playing.

It is now very important to realize two things. First you CAN solve these problems and improve your guitar technique. Second, it won’t happen over night, this will take time and some consistent practice (possibly over several weeks or longer). But the benefits of being able to play guitar clean are well worth the patience required.

To get more help with your guitar playing check out my 15 Free Guitar Tips.

In Part 2 of this article series we’ll focus on the last group of guitar technique challenges.

About The Author:
Tom Hess is a successful professional guitar player, composer and the guitarist of the band Rhapsody Of Fire. He also trains musicians to reach their guitar playing goals in his rock guitar lessons online. Visit his website, to read more articles about guitar playing, get free guitar tips and guitar playing resources.

All rights reserved, Copyright © 2009 Tom Hess Music Corporation

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