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The Key Guide To
Basic Metal Rhythm
Guitar Techniques
by Lee Morris-Tiley
Rhythm
guitar is an often neglected and sometimes overlooked part of guitar
playing. Many tend to concentrate on lead, regarding rhythm as nothing but a
backing part. But despite the misconceptions that are placed upon rhythm
playing, it is easily a vital part to any musical style, especially in
metal.
Before
even starting to tackle lead playing, you should know much more than the
basics of rhythm, which this guide will help you achieve. Being able to a
play a solid rhythm is a much more useful talent than being able to play a
sub-par lead, as rhythm is vital in any situation whereas lead is not. What
makes a great musician is the ability to do what they are meant to, and
well. If you can play rhythm to a good standard, then you will easily be
able to build up lead playing and advance as a player.
1:
Achieving a style
Many may
believe rhythm guitar is nothing but chords and basic parts, this is rarely
the case. Every player has their own style of playing lead, from Slash’s
blues/rock sound to Marty Friedman’s technical metal style. This applies to
rhythm playing also. If you listen to different bands, you can easily
distinguish the differences between their rhythm sections, for example,
Rammstein often use a marching tempo, with most notes of the same length
being used to achieve this. Whereas a band such as Iced Earth focus mainly
on complicated rhythms using single notes. Being able to hear these
differences is the first step to achieving a style of your own.
Another
good idea would be to pick an influence. There is no shame in using someone
else’s ideas in your playing, and by finding a band or musician that you
like, then using their style to help you is one of the best ways to compose
and to develop. This would be the same reason that many bands, especially
those who are starting off, would cover songs.
Practice
songs which you enjoy. Learning from others is a perfect way to develop as a
player, and with time and practice, your own style will come to you.
© Lee
Morris-Tiley 2004
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